The bad little brother of the Aurorean

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[one_half last=”no” class=”” id=””]Tomás Sánchez Hidalgo[/one_half]

[one_half last=”yes” class=”” id=””]SPRING 2016[/one_half]

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Warhol had Marilyn (Capote had Tiffany’s)

Thunderous storm and fury,
500 km/h
(ice marbles:
the sun suddenly disappeared);
two not-Spanish? brands
in an ugly situation,
inside, Golden Mile,
of an establishment of relatively comfortable minds:
as it has already been pointed out,
Diamonds are a girl’s best friend.
Some cables later, God willing,
barbarism has reached prices:
microphones crying:
it’s not like being placidly beaten
inside a stilt.
In short, a tiny catastrophe,
a whole denouement:
electric, sudden, explosive;
everything is imperfect resistance to despicable time.
What are they thinking of us,
everybody else?:
an eternal nervous wildlife
(the friends,
the envy,
the rest of the world,
some stale union).
A vast clock-made prison,
as I perceive the transparency of air, in solitary confinement.
We have been awakening.
Let us always be.


Bio

[highlight color=”” rounded=”no” class=”” id=””]Tomás Sánchez Hidalgo[/highlight](43) holds a BBA (Universidad Autónoma de Madrid), a MBA (IE Business School), a Master in Creative Writing (Hotel Kafka) and a Certificate in Arts Administration (New York University). His works have been published in magazines like, among others, By&By, Poems-For-All, Clementine or Revista Almiar, and has been winner of prizes like Criaturas feroces (Editorial Destino), AIDA Books and Pandora Magazine in short story or finalist at Festival Eñe in novel. He has developed his career in finance and stock-market.